The acclaimed first volume in feminist icon bell hooks' "Love Song to the Nation,” All About Love is a revelation about what causes a polarized society and how to heal the divisions that cause suffering. Here is the truth about love, and inspiration to help us instill caring, compassion, and strength in our homes, schools, and workplaces. “The word ‘love’ is most often defined as a noun, yet we would all love better if we used it as a verb,” writes bell hooks as she comes out fighting and on fire in All About Love. Here, at her most provocative and intensely personal, renowned scholar, cultural critic and feminist bell hooks offers a proactive new ethic for a society bereft with lovelessness--not the lack of romance, but the lack of care, compassion, and unity. People are divided, she declares, by society’s failure to provide a model for learning to love. As bell hooks uses her incisive mind to explore the question “What is love?” her answers strike at both the mind and heart. Razing the cultural paradigm that the ideal love is infused with sex and desire, she provides a new path to love that is sacred, redemptive, and healing for individuals and for a nation. The Utne Reader declared bell hooks one of the “100 Visionaries Who Can Change Your Life.” All About Love is a powerful, timely affirmation of just how profoundly her revelations can change hearts and minds for the better.
Bell Hooks, pseudonym of Gloria Jean Watkins, (born September 25, 1952, Hopkinsville, Kentucky, U.S.), American scholar and activist whose work examined the connections between race, gender, and class. She often explored the varied perceptions of Black women and Black women writers and the development of feminist identities. Watkins grew up in a segregated community of the American South. At age 19 she began writing what would become her first full-length book, Ain’t I a Woman: Black Women and Feminism, which was published in 1981. She studied English literature at Stanford University (B.A., 1973), the University of Wisconsin (M.A., 1976), and the University of California, Santa Cruz (Ph.D., 1983). Hooks assumed her pseudonym, the name of her great-grandmother, to honour female legacies; she preferred to spell it in all lowercase letters to focus attention on her message rather than herself. She taught English and ethnic studies at the University of Southern California from the mid-1970s, African and Afro-American studies at Yale University during the ’80s, women’s studies at Oberlin College and English at the City College of New York during the 1990s and early 2000s. In 2004 she became a professor in residence at Berea College in Berea, Kentucky. The bell hooks Institute was founded at the college in 2014. In the 1980s Hooks established a support group for Black women called the Sisters of the Yam, which she later used as the title of a book, published in 1993, celebrating Black sisterhood. Her other writings included Feminist Theory from Margin to Center (1984), Talking Back: Thinking Feminist, Thinking Black (1989), Black Looks: Race and Representation (1992), Killing Rage: Ending Racism (1995), Reel to Real: Race, Sex, and Class at the Movies (1996), Remembered Rapture: The Writer at Work (1999), Where We Stand: Class Matters (2000), Communion: The Female Search for Love (2002), and the companion books We Real Cool: Black Men and Masculinity (2003) and The Will to Change: Men, Masculinity, and Love (2004). Writing Beyond Race: Living Theory and Practice was published in 2012. She also wrote a number of autobiographical works, such as Bone Black: Memories of Girlhood (1996) and Wounds of Passion: A Writing Life (1997).